Friday 21 August 2015

Where Memories Go

A review of Sally Magnusson’s book about her mother Mamie and dementia.



Dementia is a degenerative brain disease that affects 850,000 people in the UK and over 44 million people worldwide. Research is ongoing, but neuroscientists know it is caused by plaques and tangles in the brain that damage the connections between neurons.

With one new case every four seconds*, it is highly likely that you will encounter dementia in one of its forms either as a sufferer, a carer, in a professional capacity, or simply in your local supermarket.

I wouldn't wish dementia on my worst enemy, however that the disease is increasingly becoming a part of our lives and communities is a reality that we have no choice but to face up to.

Aside from the facts and figures, dementia has a very human face. It is the daughter watching her mother decline, it is the wife nursing her husband, it is the questioning looks in the cafĂ©, it is the grandchildren’s memories that need replenishing.
                                
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What sets Sally Magnusson’s book apart is that it is neither entirely memoir, nor scientific manual. The beauty of Where Memories Go is how the author combines both personal reflection and factual details about this unique of brain diseases. The book is both a question- where indeed do memories go?- and an answer. The answer is at once scientific (Magnusson has clearly done her research) and deeply personal. The story of her mother’s life is interspersed with chapters that explore the history of research into Alzheimer’s as the author discovers what is happening to her beloved mother. No amount of research or drugs, however, can (as yet) slow the disease for Mamie or other sufferers.

Magnusson explores her mother’s decline, but the book is by no means all doom and gloom. On the contrary, the author delights in her mother’s moments of lucidity where Mamie’s loving, intelligent personality comes through. Family moments and happy holiday memories are described beautifully and relished.

A further unique feature of the book is the way in which Magnusson writes to her mother. It reads almost like an extended letter as the author discovers ‘it happens that I find myself talking to you’. Mamie remains present and a part of the conversation. It is a book for her, rather than about her. I also think that this technique grants Mamie dignity in the face of a cruel, ‘identity melting’ disease. 

I was particularly interested in the effects music had on Mamie Magnusson. Even in the darkest depths of dementia-induced bewilderment and anger, we hear how tunes and ditties from her past had the ability to calm and reassure her. On the strength of this, the author set up a charity, Playlist for Life, to encourage the use of music therapy in dementia care.** The idea is simple: ‘a lifetime of memory and feeling and rootedness evoked in song, symphony or TV theme tune, captured on a tiny device and available at any time of the day or night’.

Where Memories Go is about so much more than dementia. It is a moving, poignant story of love, loss, pain, joy and ultimately the bonds that connect us to family and to ourselves.

Reviews of the book have suggested that it should be on reading lists for Medicine, Nursing and Occupational Therapy students. I’d have to agree.
                                                            
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I set out to write a book review but there’s no way I can write about dementia without mentioning my own personal experience. Active, organised, loving, intelligent, my Granny has been suffering with dementia for the last 10 years. Whilst Sally Magnusson’s book is a beautifully crafted personal memoir, it is not a representation of every individual’s journey through dementia. Because the fact is that it affects people differently. Language, memory, mobility are lost at different rates.

It makes me a little sad to admit that my Granny deteriorated more quickly than Mamie in Where Memories Go and has been nursing-home bound for over 5 years.

As I write this, I’ve just got back from visiting her. Picking 4pm to go means that I can spoon feed her tea and take comfort in the knowledge that she still eats well.

After reading Magnusson’s novel, I was keen to try her music-related theories on Granny.

Post tackling a dish of trifle (that went a little more on her jumper than in her mouth) I got my ipod out and put the earphones in, one for me and one for her. I played a few different tunes, scrolling through my playlists to find something that might spark recognition.

I tried some Tchaikovsky and Beethoven. There was no change, for better or worse. No visible calming and no sign of recognition. Just the same vacant look in her eyes.

Then I tried ‘Sur la Pont d’Avignon’, a French favourite of my family and one Granny used to teach. Now, I could be mistaken but it looked to me like Granny was trying to get out of the chair she was strapped into and dance. I played the track on repeat and a little later Granny sang. She actually sang! So it wasn't the words of the song or any intelligible words, but she definitely sang.



I failed to mention that whilst we were listening to music, a nurse came over.

‘We’re just listening to some French music, aren't we Granny?’ I crooned.

‘Does she like French music?’

‘She did…does. Do you recognise this one Granny?’

‘Oh she doesn't recognise anything anymore, there’s no hint at all’.

Hint of recognition? Of cognition? Of personality?

Something kicked back inside me and I vowed to find more music from Granny’s rich life and to come back with a personalised playlist.

I can’t see past that curly, soft grey hair, past those plaques and tangles to Granny’s cerebral cortex and those mysterious control centres of memory, language and consciousness. But if I could, I’d like to think I’d see a tiny golden flicker in a tiny brain cell. A flicker of memory, of a classroom and happy children, a brightly coloured skirt and a young woman dancing on a certain bridge in southern France…



* World Health Organisation 
** See http://www.playlistforlife.org.uk/